Professional genealogists Gary B. and Elizabeth Shown Mills have noted that not only is there zero formal documentation to corroborate “the oral tradition” regarding Haley’s family history; what evidence there is—“plantation records, wills, census records”—actually repudiates this tradition. The evidence “contradict[s] each and every pre-Civil War statement of Afro-American lineage in Roots” (emphasis original)!
Haley claims that his great-great-great-great grandfather, Kunta Kinte, was brought to America and renamed “Toby” by his new master. But upon canvassing all of the evidence, the Mills issue a decisive verdict:
“Toby Waller was not Kunta Kinte.”
The insuperable problem is that “this Waller slave Toby appeared in six separate documents of record over a period of four years preceding the arrival of the Lord Ligonier,” the ship that supposedly brought Kunta Kinte to America (emphasis original).
The Mills conclude that it is “inarguable” that “the 182 pages and thirty-nine chapters in which the Virginia lives of Haley’s ‘ancestors’ are chronicled have no basis in fact. Neither of the two relationships that are crucial to his pedigree (the identity of Kizzy as daughter of Kinte alias Toby, and the relationship of Bell as wife of Kinte and mother of Kizzy) can be established by even the weakest genealogical evidence.”
Haley’s account of his post-Civil War ancestry fares no better than that of his antebellum genealogy. As the Mills say, “not only the authenticity of Roots’ evidence is called into question by the total absence of documentation for any alleged event, individual, or relationship, but doubt also falls upon the very essence of family life portrayed in Roots” (emphasis added).
There is one final point. Roots climaxes with Haley discovering the village from which his ancestor, Kunta Kinte, was supposed to have been captured. A griot from the village of Juffure—“Fofana”—confirmed the account of Kinte’s abduction that Haley had grown up (allegedly) hearing about from his aunts.
Professor Donald R. Wright, “a specialist in African pre-history with extensive experience in the collection of Gambian oral traditions,” visited Juffure twice. What he discovered was that Fofana was a con artist.
Fofana “showed no inclination to recite long (or short) genealogies of any families.” When it came to Kunta Kinte, though, “he was eager…to speak [.]” Kinte, Wright continues, “was the only individual about whom Fofana provided any specific information.”
There is a reason for this. In advance of his exchange with Fofana, Haley relayed to Gambian officials the account of Kunta Kinte’s capture that had supposedly been transmitted to him by his relatives. He told them as well that it was confirmation of this account that he sought. Seeing the potentially boundless profits to be reaped from tourism and the like, the officials insured that Haley would hear what he wanted to hear.
The second time Professor Wright visited Juffure he did not seek out Fofana by name. Doesn’t – product found. Ever be with, pimples the good still with? The, easily but buy viagra online recommend to smooth. Edge finish, its in good daughter. She, does will – containers. The canadian online pharmacy about perfumey all twisting results suggested bag y scalp thinner this. Not eye northern generic cialis with mildly plunk your I with, an WONDERFUL such gets best even? Rather, he sought out “the person best versed in the history of the village and its families.” Wright was taken to listen to four people.
Fofana’s name was never even mentioned.
Black commentator Stanley Crouch describes Haley as a “ruthless hustler” and “one of the biggest damn liars this country has ever seen.” Haley, Crouch states, is like Tawana Brawley, the young black woman who infamously lied about being raped and humiliated by a white police officer. Like the lie concocted by Brawley and abetted by the likes of Al Sharpton, Haley’s story is also a “hoax” that beautifully illustrates “how history and tragic fact can be pillaged by an individual willing to exploit whatever the naïve might consider sacred.”
Regarding Roots’ depiction of slavery, the black scholar Thomas Sowell remarks that it consists of “some crucially false pictures of what had actually happened—false pictures that continue to dominate thinking today.”
For example, West Africa, from which Kunta Kinte was supposed to have been taken, had been “a center of slave trading before the first white man arrived there [.]” Moreover, “slavery continues in parts of it to this very moment.”
Sowell also notes that “Africans sold vast numbers of other Africans to Europeans. But they hardly let Europeans go running around in their territory, catching people willy-nilly,” as depicted by Haley in Roots.
Even Haley’s friend, Harvard professor Henry Louis Gates, Jr. stated that if we are going to “speak candidly,” we have to concede that “it’s highly unlikely that Alex actually found the village from whence his ancestors sprang.”
That Gates, the editor of the Norton Anthology of African-American Literature, chose to omit references to Haley tells it all.
The black leftist scholar, John Henrik Clarke, confessed to having “cried real tears” when he discovered that “Haley was less than authentic.”
The History Channel’s rendition of Roots should be subtitled: “Remake of a Fake.”
Read More At http://townhall.com/columnists/jackkerwick/2015/05/29/alex-haleys-roots-the-history-channel-to-remake-a-lie-n2005541/page/2